Sub title: The Origin of the Young God
The greatest long poem in classical Sanskrit, by the greatest poet of the language
She with her beautiful face at once was in the power of Śiva and of drunkenness, taking her shyness away, both eagerly drawing her toward the bed and both now turned into kindled desire.
The greatest long poem in classical Sanskrit, Kumarasambhavam celebrates the love story of Śiva and Pārvatī, whose passionate union results in the birth of their son, the young god Kumara. Beginning with a luminous description of the birth of Pārvatī, the poem proceeds in perfectly pitched sensuous detail through her courtship with Śiva until the night of their wedding. This poem plays out their tale on the immense scale of supreme divinity, wherein the gods are viewed both as lovers and as cosmic principles.
Composed in eight cantos by the greatest Sanskrit poet of all time, the verses of Kumarasambhavam continue to enchant readers centuries after they were first written. Hank Heifetz’s sparkling translation brings to life the heady eroticism and sumptuous imagery of the original.
This is the endgame. The terror group Lashkar has directly threatened the prime minister of India with 'never before' consequences, if referendum is not declared in Kashmir immediately. The UN Security Council has called for an emergency session scheduled to meet within two days to discuss the Kashmir crisis.
Rudra Pratap Singh and his team at the Anti-Terror Cell face their toughest challenge yet. Millions of innocent lives are at stake while India readies itself for a war, the terrorists' threat is about to actualize, and time is running out. Will they be able to neutralize the threat, trace the perpetrators and avert a war?
Set in the heart of a metropolis, this diabolical thriller will consume you in its labyrinthine madness.
The Lost Flamingoes of Bombay
Star photographer Karan Seth is in Bombay to immortalize the city in a unique photo-record of its hidden faces until tragedy strikes and he is drawn into a Fitzgeraldian world of sex, crime and politics. Utterly disenchanted, he abandons the camera and Bombay and heads to England. Yet, like the flamingoes of Sewri, who unfailingly give in to the strange, haunting pull of the great metropolis, Karan too knows that he must return to his old loves. The Lost Flamingoes of Bombay is at once a razor-sharp depiction of contemporary urban society and an affecting tale about love's betrayals and the redemptive powers of friendship.
The Last Song of Dusk
Siddharth Dhanvant Shanghvi’s stunning debut tells the story of four extraordinary lives. Anuradha Gandharva, gifted with astonishing beauty and magical songs; her husband, Vardhmaan, struggling with secret losses; Nandini, a deviously alluring artist with a penchant for panthers and walking on water; and Shloka, the Gandharvas’ delicate, disturbingly silent child. As their fates unravel in an old villa in 1920s’ Bombay, they learn to navigate the ever-changing landscape of love. Told with tenderness and dazzling wit, The Last Song of Dusk will haunt you long after you have turned the final page.
‘On the branches of these wild plants
Some words occasionally sprout
But never a full poem . . .’
One of the country’s best-loved poets and lyricists, Gulzar is renowned for his inimitable way of seeing things, his witty expressions, his quirky turns of phrase. All these creative talents come into play in delightful, unexpected ways in his new bilingual collection Green Poems, which celebrates his innate connection with nature.
Gulzar writes about rivers, forests, mountains; snow, rain, clouds; the sky, the earth and space; a familiar tree, a disused well; Kullu, Manali, Chamba, Thimpu. Like glimpses of nature, the poems are often short, an image captured in a few words. And sometimes the image gives rise to a striking thought: ‘When I pass through the forest I feel my ancestors are around me . . .’
For those new to Gulzar’s work as well as his many fans, Green Poems will prove to be a true joy.
Ex-soldier Sam Dryden was done being a hero. But when, acting on instinct, he hides a terrified young girl from a group of well-armed pursuers, his fate is sealed.
Rachel can't remember much, but she knows she was imprisoned by the men trying to kill her. And that she is important to them.
In Dryden, though, Rachel has found the perfect protector.
But hunted and on the run, it's only as Rachel's memory returns that Dryden begins to fully appreciate the scale of the dangers they face. And then only one thing matters:
Don't. Get. Caught.
Sacred Plants of India
Plants personify the divine— The Rig Veda (X.97) Trees and plants have long been held sacred to communities the world over. In India, we have a whole variety of flora that feature in our myths, our epics, our rituals, our worship and our daily life. There is the pipal, under which the Buddha meditated on the path to enlightenment; the banyan, in whose branches hide spirits; the ashoka, in a grove of which Sita sheltered when she was Ravana’s prisoner; the tulsi, without which no Hindu house is considered complete; the bilva, with whose leaves it is possible to inadvertently worship Shiva. Before temples were constructed, trees were open-air shrines sheltering the deity, and many were symbolic of the Buddha himself. Sacred Plants of India systematically lays out the sociocultural roots of the various plants found in the Indian subcontinent, while also asserting their ecological importance to our survival. Informative, thought-provoking and meticulously researched, this book draws on mythology and botany and the ancient religious traditions of India to assemble a detailed and fascinating account of India’s flora.
A Hundred Measures of Time
Sub title: Tiruviruttam
"‘Look, my feet measure beyond earth and sky!’ he said and touched the sky. I have surrendered to my lord who glanced at me with his large radiant eyes. The Tiruviruttam is an iconic poem by Nammāḻvār (c. ninth century CE), the greatest of the āḻvār poet-saints of the Tamil Śrīvaiṣṇava tradition. Its hundred interlinked verses celebrate the love between an anonymous heroine and hero, who come to be identified with Nammāḻvār and his beloved deity, Viṣṇu. The poet masterfully weaves the erotic and esoteric to reveal both the contours of love and the never-ending cycles of separation and union, of birth and death, from which only Viṣṇu can offer release. In A Hundred Measures of Time, Archana Venkatesan has crafted a sonorous free-verse rendering and an accompanying far-ranging essay to delight poetry lovers and scholars alike. "
Sub title: The Other Woman in Your Marriage
In this witty, acute and often painfully funny book Veena Venugopal follows eleven women through their marriages and explores why the mother-in-law is the dreaded figure she is. Meet Deepa, whose bikini-wearing mother-in-law won’t let her even wear jeans; Carla whose mother-in-law insists that her son keep all his stuff in his family home although he can spend the night at his wife’s; Rachna who fell in love with her mother-in-law even before she met her fiancé only to find both her romances sour; and Lalitha who finds that despite having had a hard-nut mother-in-law herself, she is turning out to be an equally unlikeable Mummyji. Full of incisive observations and deliciously wicked storytelling, The Mother-in-Law is a book that will make you laugh and cry and understand better the most important relationship in a married woman’s life.
Sub title: Memoirs
As the man who brought the popular and the demotic into modern Indian theatre, Habib Tanvir is one of Asia’s most important and gifted theatre directors. In this memoir, touching on both the private and the public aspects of his life with startling candour, he takes us on a journey from his childhood in Raipur to the Bombay film world of the 1940s and thence to the Indian Theatre People’s Association, offering an invaluable window into twentieth-century India. Whether he is describing his family members, friends or actors, Habib Tanvir is superbly observant and sharply insightful, capturing both the quotidian and the quirky in his distinct style and delightful voice. Written with great warmth and humour, these memoirs provide a memorable portrait of an extraordinary man.